Sculptural Color from Historiographical Perspectives of Scent
Abu Dhabi
Dimensions variable on 2m x 2m canvas
July- August, 2017
Amber
Bamboo
Bergamot
Bitter almond
Black seed
Blood, arterial
Blood, menstrual
Breast milk
Camel fat
Camel milk
Camphor
Caraway
Cardamom
Caster
Cedarwood
Charcoal
Chinese water snake
Cinnamon
Clove
Cow ghee
Cumin
Cypress
Dettol disinfectant
Downy fabric softener
Desert gourd
Eucalyptus
Fenugreek
Florame diffusion essential oil for relaxation
Frankincense
Ginseng
Goat milk
Grape seed
Gum myrrh
Henna
Honey
Humic acid
Lavender
Linseed
Honey
Humic acid
Multivitamin
Musk
Nutmeg
Ostrich fat
Oud
Petrol
Propolis
Purell antibacterial
Raid insecticide
Rose
Rosemary
Rose water
Saad
Saddab rue
Saffron
Sage
Saliva
Sandalwood
Seawater
Semen
Sidr
Sweat
Taramira
Tears
Thyme
Tobacco
Tisserand aromatherapy monthly comfort
Turmeric
Urine
Vaginal secretion
Vanilla
Walnut
Wheat germ
Sculptural Color from Historiographical Perspectives of Scent, Abu Dhabi, July- August, 2017 is a site-specific installation. Process is used to understand the spatial dimensions of a body function- smell. Scent becomes a tool to deconstruct the body and to collapse space and time. This site-specific work is a concoction of 60+, carefully researched, liquid scents that map out patterns of gender, religion, decadence, and the domestic in a variety of historical periods.
Space, a primary medium, is in a constant state of modulation due to the volatile and perishable nature of scent embedded into the dimension of time. The equally measured elements coalesce into one, as an organism is a product of its micro-climate.
Scent becomes an access point to investigate the Abject body by referencing both the interior and exterior of the body as an unresolved understanding and establishing a new form and language that reject obsolescent cultural arrangements. In tandem, allowing the architectural space to become introspective and projective.